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Les Carabiniers
Les Carabiniers (Jean-Luc Godard, 1963)
March 22, 2010
Alice Doesn't Live Here Anymore
Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)
March 22, 2010

The World Of Apu (Satyajit Ray, 1959)

The World of Apu

I have to admit I was one to reduce Indian films to Bollywood. Which is not to say Bollywood films are lesser films. I recently saw Lagaan, which to me was a quintessential pop movie, down to the perfect characterizations of the ideal hero and the horrible British villains (I kept thinking of Gaston from Disney’s Beauty and the Beast). It wasn’t a bad movie, but I think the only thing that interested me were the dance numbers (I’m a sucker for musicals). So The World of Apu from Satyajit Ray was to me a pleasant surprise for different reasons.

What I found most interesting in The World Of Apu is how much the representation of India came so close to my vision of Haiti, my native country. I haven’t often seen a truthful depiction of third-world countries, not as industrialized countries imagine them (as poor rat-infested charity cases) but as they are. Or, maybe as we who live there feel they are.

Although Apu is poor in the movie, I felt that there wasn’t a cliched representation of his poverty, and it wasn’t a depiction of great poverty. That got me to think about Satyajit Ray’s background; he must have come from a middle-class background, if not a wealthy one. As it turns out, he is from such a background. His grandfather was a distinguished writer, painter, a violin player and a composer. His father, Sukumar Ray (1887–1923), studied printing technology in England. In 1940, Ray received a degree in science and economics from Calcutta University. Through his biography, it becomes evident that Ray doesn’t represent the majority of India’s population, but he’s part of a very small minority of privileged individuals.

His intellectualism, nonetheless, gives him an interesting perspective on his country. Not a condescending or exotic perspective but a more realistic and human one. It reminds me of Hou Hsiao-Hsien’s Dust in the Wind, as both filmmakers seem to fixate on a rural or at least underprivileged vision of Eastern countries.

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Eric Lafalaise
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Eric Lafalaise
Head Honcho at Red Brand Studios
Eric Lafalaise mostly communicates by writing and telling stories. He is a contributing writer to the Kinoreal film blog, a producer for Red Brand Studios, an artist, a photographer, a tech freak, and an all-around (left-right) brain nut.
Eric Lafalaise
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