RECENT POSTS

September 28, 2010
Forbidden love and In the Mood for Love

In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?
April 20, 2010
Love Exposure

Love Exposure (Shion Sono, 2008)

Love Exposure is a beautiful film, a cherished secret I find myself unwilling to share but incapable of keeping. It's one of the best films I've ever seen.
March 20, 2018
Black Panther movie

Black Panther: A Perspective

I’ve been away from the Kinoreal blog for a while, and I’ve missed writing it. Movies are the way I make sense of life, how I endeavour to understand the complex issues that affect me daily. Maybe I haven’t been motivated enough by any of the recent movies to add to the discussion. Black Panther has changed that. Although not […]
February 27, 2018

On the dopeness of Black Panther

I’ve been excited about Black Panther from the moment I heard about it. It's now a record-breaking release. So why are we so extra with this movie?
November 15, 2015
Spectre

Spectre (Sam Mendes, 2015)

Spectre is visually and technically flawless. The film is shot in stunning locations, and its photography is breathtaking.

POPULAR POSTS

September 28, 2010
Forbidden love and In the Mood for Love

In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?
April 20, 2010
Love Exposure

Love Exposure (Shion Sono, 2008)

Love Exposure is a beautiful film, a cherished secret I find myself unwilling to share but incapable of keeping. It's one of the best films I've ever seen.
November 15, 2015
Spectre

Spectre (Sam Mendes, 2015)

Spectre is visually and technically flawless. The film is shot in stunning locations, and its photography is breathtaking.
March 28, 2013
Sunny

Sunny (Hyeong-Cheol Kang, 2011)

Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.
March 29, 2010
Gone Baby Gone

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]
November 26, 2010
Ip Man 2

Ip Man 2 (Wilson Yip, 2010)

Watching Ip Man 2, you're left with the feeling that it doesn't have a reason for existing, except to cash in on the success of the first Ip Man.
March 26, 2010
Behind the Mask

Behind The Mask: The Rise of Leslie Vernon (Scott Glosserman, 2006)

Behind the Mask supposes that the horror stories that haunt Elm Street or Crystal Lake are elaborate hoaxes which elevate their authors to legendary status.
March 22, 2010
The Journey

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
April 20, 2010
Adrift in Tokyo

Adrift In Tokyo (Satoshi Miki, 2007)

In a cluster of odd situations, Adrift in Tokyo makes us experience its city, from its empty residential streets to its Metropolis-like allure.
September 28, 2010
Videodrome

Cronenberg’s discourse through Videodrome and eXistenZ

This essay will explore the duality of Cronenberg’s works, as a statement on man’s curiosity and an open window to the unknown in Videodrome and eXistenZ.
December 10, 2010
Little Big Soldier

Little Big Soldier (Shen Ding, 2010)

Little Big Soldier tells the story of an army deserter who captures the general of a warring faction, planning to deliver him for the reward.
March 23, 2010
No End In Sight

No End in Sight (Charles Ferguson, 2007)

No End in Sight is important, infuriating and moving. It shows that documentaries hold an essential place in our society.
November 26, 2010
Brass Knuckle Boys

Brass Knuckle Boys (Kankuro Kudo, 2008)

Brass Knuckle Boys is a Japanese comedy about an old Japanese punk-rock music band from the ’70s and ’80s looking to extend their 15 minutes of fame.