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I Don't Want To Talk About It
I Don’t Want To Talk About It (Maria Luisa Bemberg, 1993)
March 26, 2010
Flowers of Shanghai
Flowers of Shanghaï (Hsiao-Hsien Hou, 1998)
September 28, 2010

Felicidades (Lucho Bender, 2000)

Felicidades

It is interesting to see this movie close to the holidays as it deals with Christmas and its ideals. One Christmas Eve in Buenos Aires, several lives intersect as they all strive not to spend the holidays alone. The theme of loneliness permeates the film—as represented by the paralyzed man—and constantly comes back to the forefront in this comedic and heartwarming take on Christmas.

Felicidades presents an interesting perspective on the meaning of the holidays, of Christmas. As a Christian holiday, it reminds them of Jesus’ sacrifice, a figure to model, to aspire to. As a pagan creation, Santa Claus epitomizes those values, rewarding good deeds by gifts on Christmas Day. In the movie, some characters choose to be charitable and giving while others act cruel and selfish. A young man rewards his benefactor who was driving him to Buenos Aires by setting off on his own to the city and stranding him in the middle of nowhere without gas. The old man dies, alone and far from his daughter, while the young man leaves him to be with his family. When a stranger helps the wheelchair-bound Hector to his fifth-floor apartment, Hector doesn’t seem to want him to leave and comes up with an excuse every time. Talking about his fish, he projects unto it his feelings of loneliness:

Poor thing. He’s all alone. I’ll have to find him a friend.

Hector

The stranger soon abandons Hector, obviously in need of camaraderie, for a sexual encounter.

There seems to be this constant battle between human values and human needs (or wants) throughout the film, a dichotomy that echoes the continuous clash between local culture and world culture, between Argentinean traditions and North American ones present in the film. Indians sing Christmas carols in their native tongues on a truck headed for Buenos Aires. A man aims to buy a robot that spurts smoke from its head, the IT toy for Christmas, sold-out everywhere. American hegemony is constantly present and seems to dictate, all through the movie, to these characters their feelings about Christmas.

Life goes on. At the movie’s end, we realize that the old man died alone but simultaneously, a new life is born. The comedian, stuck without gas in the middle of nowhere, gives the movie its finality; admiring the fireworks from Buenos Aires, he smiles and rejoices because he is alive. And isn’t life the greatest gift of all?

More info on IMDB

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Eric Lafalaise
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Eric Lafalaise
Head Honcho at Red Brand Studios
Eric Lafalaise mostly communicates by writing and telling stories. He is a contributing writer to the Kinoreal film blog, a producer for Red Brand Studios, an artist, a photographer, a tech freak, and an all-around (left-right) brain nut.
Eric Lafalaise
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Latest posts by Eric Lafalaise (see all)
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