March 26, 2010

Cloverfield (Matt Reeves, 2008)

Marketed as a ground-level monster movie, Cloverfield fails at its every opportunity: a high-concept stretched to the running time.
April 19, 2010

The Bourne Ultimatum (Paul Greengrass, 2007)

In the Bourne Ultimatum, Jason Bourne, a secret agent recovering from amnesia, decides to dismantle the spy agency responsible for his condition.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
March 22, 2010

Funny Dirty Little War (Hector Olivera, 1983)

Although separated by more than a decade, Funny Dirty Little War and Macunaïma both try to provoke social change by using satire.
March 26, 2010

Dan in Real Life (Peter Hedges, 2007)

Dan in Real Life is predictable, and its characters rarely venture into unknown territory. It makes for a passable rental, but not much else.