December 5, 2010
The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]
June 29, 2010
WHAT IT IS: Kenji, a failed musician turned convenience store clerk, notices about a terrible (but familiar) virus outbreak in Africa. When a popular doomsday cult surfaces branding the symbol Kenji conceived as a child with his friends, world events take on new meaning. Someone is using the Book of Prophesies Kenji wrote years ago as a blueprint for the […]
January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
September 7, 2011
Although Hark makes good use of his limited budget, Dectective Dee’s script feels convoluted, while the actors perform as if they’re in a campy picture.
March 11, 2013
Punch, a Korean drama, will more likely be remembered for the way it adds to the Korean conversation on immigration than for its other story elements.