January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
December 11, 2011

Love (William Eubanks, 2011)

In Love, astronaut Lee Miller is alone to ponder the fragility of his own existence, as he grapples with his waning sanity and dwindling air supply.
December 5, 2010

The Housemaid (Ki-young Kim, 1960; Sang-soo Im, 2010)

The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]
November 24, 2010

The Naked Kitchen (Ji-yeong Hong, 2009)

The Naked Kitchen is disappointing, even with the presence of Ji-hun Ju (Kim from last year’s Antique) and its appealing premise. It does everything wrong.
November 26, 2010

Brass Knuckle Boys (Kankuro Kudo, 2008)

Brass Knuckle Boys is a Japanese comedy about an old Japanese punk-rock music band from the ’70s and ’80s looking to extend their 15 minutes of fame.