March 4, 2011

The Clone Returns Home (Kanji Nakajima, 2008)

Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
June 9, 2013

Graceland (Ron Morales, 2012)

Graceland is a dark and dirty moral tale of desperation and revenge, denouncing corruption. Yet, it isn’t sophisticated enough to deal with the subject.
September 7, 2011

Detective Dee and the Mystery of the Phantom Flame (Tsui Hark, 2010)

Although Hark makes good use of his limited budget, Dectective Dee’s script feels convoluted, while the actors perform as if they’re in a campy picture.
November 26, 2010

Kuroneko (Kaneto Shindo, 1968)

in its new restoration, Kuroneko (Kaneto Shindo, 1968) is one of those gems, a ‘60s Japanese horror film with a sharp aesthetic.
November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]