March 4, 2011
Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
January 30, 2015
Honeymoon is like the edge of a blade, which could turn out quite dull or sharp as hell. Riding that edge is what makes the film so appealing.
January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
June 9, 2013
Graceland is a dark and dirty moral tale of desperation and revenge, denouncing corruption. Yet, it isn’t sophisticated enough to deal with the subject.
April 20, 2010
Rough Cut constructs a dual history of characters, mirror images of one another, distorted through time, in a film within a film.