January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
October 23, 2013
Key of Life’s premise is very close to Rough Cut’s (Hun Jang, 2008). It effectively mixes comedy and drama, resulting in a striking aesthetic blend.
November 24, 2010
The Naked Kitchen is disappointing, even with the presence of Ji-hun Ju (Kim from last year’s Antique) and its appealing premise. It does everything wrong.
December 5, 2010
The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]
