January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
May 19, 2010

Robin Hood (Ridley Scott, 2010)

As a painstakingly accurate retelling of its legend, Robin Hood had every opportunity to shine. But it falls short of expectations.
March 22, 2010

Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)

It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
November 6, 2013

Ip Man: The Final Fight (Herman Yau, 2013)

Ip Man: The Final Fight is centred around an ensemble cast of characters including Ip Man’s first students, so we get to see the evolution of Hong Kong in this period through their eyes.
April 20, 2010

Rough Cut (Hun Jang, 2008)

Rough Cut constructs a dual history of characters, mirror images of one another, distorted through time, in a film within a film.