Kinoreal
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April 19, 2010
Mystic River (Clint Eastwood, 2003)
Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.
December 30, 2011
Underwater Love (Shinji Imaoka, 2011)
Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
March 26, 2010
Behind The Mask: The Rise of Leslie Vernon (Scott Glosserman, 2006)
Behind the Mask supposes that the horror stories that haunt Elm Street or Crystal Lake are elaborate hoaxes which elevate their authors to legendary status.
April 20, 2010
X-Men Origins: Wolverine (Gavin Hood, 2009)
As action films go, Wolverine isn’t so bad, establishing a diverse group of supporting characters for the franchise to play around with.
March 22, 2010
The World Of Apu (Satyajit Ray, 1959)
What I found most interesting in The World Of Apu is how much the representation of India came so close to my vision of Haiti, my native country.
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