December 30, 2011
Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
March 28, 2013
Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.
February 26, 2013
Mitsuko Delivers is a great beginning to the festival for me, starting with what could be the best acting performance of the year. Riisa Naka plays the eponymous Mitsuko, an energetic and pregnant young woman who travels back to her old stomping grounds and quickly befriends a cast of quirky local characters, forcing them to seek happiness, whether they’re open […]
March 11, 2013
Punch, a Korean drama, will more likely be remembered for the way it adds to the Korean conversation on immigration than for its other story elements.
January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]