March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
March 29, 2010

Little Children (Todd Field, 2006)

Although true at times, Little Children never compels as the story suffers from the same shortcoming as In the Bedroom: it is merely an actors’ showcase.
April 19, 2010

Mystic River (Clint Eastwood, 2003)

Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.
March 23, 2010

No End in Sight (Charles Ferguson, 2007)

No End in Sight is important, infuriating and moving. It shows that documentaries hold an essential place in our society.
April 19, 2010

Rocky Balboa (Sylvester Stallone, 2006)

Although its story recalls the hope and determination of the first Rocky (John G. Avildsen, 1976), Rocky Balboa is a pale copy.