September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
April 20, 2010

Fur: An Imaginary Portrait Of Diane Arbus (Steven Shainberg, 2006)

Fur, from director Steven Shainberg, is a deeper exploration of sexually non-normative behaviour and longing for companionship.
April 20, 2010

Adrift In Tokyo (Satoshi Miki, 2007)

In a cluster of odd situations, Adrift in Tokyo makes us experience its city, from its empty residential streets to its Metropolis-like allure.
November 28, 2010

Bodyguards and Assassins (Teddy Chan, 2009)

In Bodyguards and Assassins, Chinese patriots pledge their lives to safeguard a revolutionary named Dr. Sun as assassins are sent to kill him.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]