November 28, 2010
Woochi starts out as a magic-driven wuxia-like set in the Joseon era in Korea, but segues into an unsophisticated popular fare.
September 28, 2010
Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.
January 30, 2015
Honeymoon is like the edge of a blade, which could turn out quite dull or sharp as hell. Riding that edge is what makes the film so appealing.
October 1, 2010
In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
March 22, 2010
Knocks at my door explores the political instability that has plagued Latin-American countries and Third-world countries in general.