April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
March 26, 2010

The City and the Dogs (Francisco J. Lombardi, 1985)

he City and the Dogs, based on the popular novel of the same name by Mario Vargas Llosa, is an allegory of power in South America.
November 28, 2010

Accident (Pou-soi Cheang, 2009)

Accident devolves into a too simplistic whodunit, where the director tries to dazzle us with his technical mastery and film knowledge.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
March 23, 2010

No End in Sight (Charles Ferguson, 2007)

No End in Sight is important, infuriating and moving. It shows that documentaries hold an essential place in our society.