March 22, 2010

Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)

It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
March 29, 2010

The Day The Earth Stood Still (Scott Derrickson, 2008)

In The Day The Earth Stood Still, an alien representative arrives on Earth, setting in motion a plan to save the planet Earth by destroying mankind.
February 16, 2011

Blue Valentine (Derek Cianfrance, 2010)

Blue Valentine follows a married couple in turmoil, and recalls their relationship’s romantic beginnings as it threatens to unravel in the present.
September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.