January 26, 2011

The Man From Nowhere (Lee Jeong-beom, 2010)

In The Man from Nowhere, after a neighbour's daughter is abducted by drug dealers, Tae-shik will stop at nothing to save her.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
December 16, 2013

HK: Hentai Kamen (Yûichi Fukuda, 2013)

Apart from the fact that it’s one of the most entertaining films of 2013, the best thing about HK: Hentai Kamen is the joy of having to explain its premise to people, to witness their flabbergasted stare and assure them that “it’s really, really good”. Actually, it is really good because its parody comes from a place of love for […]
November 28, 2010

Accident (Pou-soi Cheang, 2009)

Accident devolves into a too simplistic whodunit, where the director tries to dazzle us with his technical mastery and film knowledge.
October 1, 2010

African cinema, Ousmane Sembene and the Western gaze

In its perspectives and traditions, African cinema draws the spectator into its narrative, nurturing a symbiotic relationship with life itself.