January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
June 29, 2010
WHAT IT IS: Kenji, a failed musician turned convenience store clerk, notices about a terrible (but familiar) virus outbreak in Africa. When a popular doomsday cult surfaces branding the symbol Kenji conceived as a child with his friends, world events take on new meaning. Someone is using the Book of Prophesies Kenji wrote years ago as a blueprint for the […]
April 20, 2010
Kim Ki-duk has shown he's an art-house auteur to contend with. Here, he adopts an esoteric premise, developing it as a meditation on love and passion.
April 19, 2010
Man on Fire is part of Scott's flip-out phase, where the director experimented with ultra fast-cutting editing, and video clip-like light transitions.