September 28, 2010

Flowers of Shanghaï (Hsiao-Hsien Hou, 1998)

Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.
March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
March 22, 2010

Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)

It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
March 11, 2013

Fists of The White Lotus (Lieh Lo, 1980)

After Executioners from Shaolin, Fists of the White Lotus confronts our heroes with Pai-Mei’s brother hell-bent on exacting revenge for Pai-Mei’s death.
April 19, 2010

The Bourne Ultimatum (Paul Greengrass, 2007)

In the Bourne Ultimatum, Jason Bourne, a secret agent recovering from amnesia, decides to dismantle the spy agency responsible for his condition.