November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
April 20, 2010

Haiti Chérie (Claudio Del Punta, 2007)

Haiti Chérie is a brutal film and stirs up in its spectator, as it should and as did its predecessors, a desire for change.
November 15, 2015

Spectre (Sam Mendes, 2015)

After the tragic death of M and to honour her memory, James Bond uncovers a conspiracy of influential individuals called Spectre, a secret society responsible for strategic terrorist attacks around the world. As Bond strives to thwart their plans, fundamental changes are affecting the secret services back home, leaving Bond to fend for himself.  
December 16, 2013

The Lady Assassin (Quang Dung Nguyen, 2013)

The Lady Assassin, a martial arts blockbuster, is my first Vietnamese film. A light Sunday night screening at this year’s Fantasia Festival, it was attended by a notable number of people from Montreal’s Vietnamese community. Billed as a Vietnamese wu xia, in the film, a princess sold in marriage is taken in by a team of high-flying, ass—kicking, thieving assassins […]
October 1, 2010

The African diaspora: Colonialism and displacement

The transatlantic slave trade was one of the most disruptive acts in history, separating Africans from their backgrounds, traditions, and identities. This has had a significant impact on diaspora films.