March 22, 2010

Macunaïma (Joaquim Pedro de Andrade, 1969)

One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]
October 1, 2010

Come Drink With Me (King Hu, 1966)

In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
February 23, 2011

Domino (Tony Scott, 2005)

Domino is stylistically intricate, using several techniques developed by Scott through his commercials and his latest films that enhance the narrative.
March 26, 2010

Dan in Real Life (Peter Hedges, 2007)

Dan in Real Life is predictable, and its characters rarely venture into unknown territory. It makes for a passable rental, but not much else.
November 6, 2013

Ip Man: The Final Fight (Herman Yau, 2013)

Ip Man: The Final Fight is centred around an ensemble cast of characters including Ip Man’s first students, so we get to see the evolution of Hong Kong in this period through their eyes.