April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
September 28, 2010

Flowers of Shanghaï (Hsiao-Hsien Hou, 1998)

Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.
December 29, 2011

Hello Ghost (Young-tak Kim, 2010)

Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
April 20, 2010

X-Men Origins: Wolverine (Gavin Hood, 2009)

As action films go, Wolverine isn’t so bad, establishing a diverse group of supporting characters for the franchise to play around with.
March 22, 2010

Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)

It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?