December 30, 2011

Underwater Love (Shinji Imaoka, 2011)

Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
September 28, 2010

Flowers of Shanghaï (Hsiao-Hsien Hou, 1998)

Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.
March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
October 23, 2013

Key of Life (Kenji Uchida, 2012)

Key of Life’s premise is very close to Rough Cut’s (Hun Jang, 2008). It effectively mixes comedy and drama, resulting in a striking aesthetic blend.
April 20, 2010

Antique (Kyu-dong Min, 2008)

His motivations nebulous, a young man opens a neighborhood Western-style bakery called Antique, employing a host of off-the-wall characters.