March 22, 2010
Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
March 29, 2010
Michael Clayton suffers from its intellectualism, just as Syriana (Stephen Gaghan, 2005) did, and never lets you connect to the stakes emotionally.
April 19, 2010
Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.
September 30, 2010
Central Station is one of the most popular and internationally acclaimed Brazilian films of the 1990s. It heralded a renaissance in Brazilian cinema.
October 17, 2013
Shield of Straw My first film at Fantasia in 2013 was Takashi Miike’s Shield of Straw, one of the director’s contribution to the festival. Miike is a known workhorse, directing sometimes three films per year, in a myriad of genres and styles. Yet, there seems to be a connecting thread through his films, which feels harder to ascertain for me […]