April 20, 2010

Sherrybaby (Laurie Collyer, 2006)

Held together almost entirely by the strength of Gyllenhall’s performance, Sherrybaby is one of the best independent movies of the decade.
June 3, 2011

In defence of criticism: The case of The Hangover Part II

“Most critics really don’t get it.”, as they say. I feel compelled to respond to the casual filmgoers who don't understand the critic’s perspective.
April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
January 30, 2015

Honeymoon (Leigh Janiak, 2014)

Honeymoon is like the edge of a blade, which could turn out quite dull or sharp as hell. Riding that edge is what makes the film so appealing.
March 22, 2010

Les Carabiniers (Jean-Luc Godard, 1963)

In Les Carabiniers, Godard is in control, from playing with our scopophilic gaze in the makeshift rape scene or denying us narcissistic satisfaction.