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April 20, 2010
Sherrybaby (Laurie Collyer, 2006)
Held together almost entirely by the strength of Gyllenhall’s performance, Sherrybaby is one of the best independent movies of the decade.
June 3, 2011
In defence of criticism: The case of The Hangover Part II
“Most critics really don’t get it.”, as they say. I feel compelled to respond to the casual filmgoers who don't understand the critic’s perspective.
April 24, 2011
Black Swan (Darren Aronofsky, 2010)
Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
January 30, 2015
Honeymoon (Leigh Janiak, 2014)
Honeymoon is like the edge of a blade, which could turn out quite dull or sharp as hell. Riding that edge is what makes the film so appealing.
March 22, 2010
Les Carabiniers (Jean-Luc Godard, 1963)
In Les Carabiniers, Godard is in control, from playing with our scopophilic gaze in the makeshift rape scene or denying us narcissistic satisfaction.
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