March 26, 2010

There Will Be Blood (Paul Thomas Anderson, 2007)

There Will Be Blood methodically depicts the rise of its fictional character, from his modest entrepreneurial beginnings to rich oil mogul.
December 16, 2013

The Lady Assassin (Quang Dung Nguyen, 2013)

The Lady Assassin, a martial arts blockbuster, is my first Vietnamese film. A light Sunday night screening at this year’s Fantasia Festival, it was attended by a notable number of people from Montreal’s Vietnamese community. Billed as a Vietnamese wu xia, in the film, a princess sold in marriage is taken in by a team of high-flying, ass—kicking, thieving assassins […]
March 26, 2010

A Silent Love (Federico Hidalgo, 2004)

What’s most interesting about A Silent Love is its comical approach to its subject. There is much in common with the tongue-in-cheek of Mexican dramas.
March 29, 2010

Little Children (Todd Field, 2006)

Although true at times, Little Children never compels as the story suffers from the same shortcoming as In the Bedroom: it is merely an actors’ showcase.
December 5, 2010

The Housemaid (Ki-young Kim, 1960; Sang-soo Im, 2010)

The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]