January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
November 24, 2010
I’ve heard good things about the Korean film, A Frozen Flower. Outside from the gorgeous production value and box-office success, it has also been heralded for its inclusion of homosexuality in a period setting. I was hoping I would get to see it at this year’s festival and was glad to see it on the schedule, even if for only […]
November 26, 2010
The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
June 9, 2013
Graceland is a dark and dirty moral tale of desperation and revenge, denouncing corruption. Yet, it isn’t sophisticated enough to deal with the subject.
September 29, 2011
Unimpressed by Ip Man: The Legend is Born trailer, the film didn’t make it into my preliminary list of ten films for the Fantasia Festival therefore, mere hours before the showing, cutting it close to showtime, I quickly decide on a secondary list of ten films for the festival, bringing my total up to twenty films so far. Once I […]