January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
April 19, 2010

The Bourne Ultimatum (Paul Greengrass, 2007)

In the Bourne Ultimatum, Jason Bourne, a secret agent recovering from amnesia, decides to dismantle the spy agency responsible for his condition.
June 9, 2013

Graceland (Ron Morales, 2012)

Graceland is a dark and dirty moral tale of desperation and revenge, denouncing corruption. Yet, it isn’t sophisticated enough to deal with the subject.
November 26, 2010

Kuroneko (Kaneto Shindo, 1968)

in its new restoration, Kuroneko (Kaneto Shindo, 1968) is one of those gems, a ‘60s Japanese horror film with a sharp aesthetic.
March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]