December 30, 2011
Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
March 26, 2010
Marketed as a ground-level monster movie, Cloverfield fails at its every opportunity: a high-concept stretched to the running time.
April 20, 2010
Haiti Chérie is a brutal film and stirs up in its spectator, as it should and as did its predecessors, a desire for change.
November 28, 2010
Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
March 28, 2013
Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.