April 20, 2010

Funny People (Judd Apatow, 2009)

Funny People is funny, touching and rings true, even through all its comic exaggeration. Apatow's direction is poised and appropriate to the subject matter.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
March 11, 2013

Fists of The White Lotus (Lieh Lo, 1980)

After Executioners from Shaolin, Fists of the White Lotus confronts our heroes with Pai-Mei’s brother hell-bent on exacting revenge for Pai-Mei’s death.
February 26, 2013

Mitsuko Delivers (Yuya Ishii, 2011)

Mitsuko Delivers is a great beginning to the festival for me, starting with what could be the best acting performance of the year. Riisa Naka plays the eponymous Mitsuko, an energetic and pregnant young woman who travels back to her old stomping grounds and quickly befriends a cast of quirky local characters, forcing them to seek happiness, whether they’re open […]
March 23, 2010

No End in Sight (Charles Ferguson, 2007)

No End in Sight is important, infuriating and moving. It shows that documentaries hold an essential place in our society.