January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
November 26, 2010

Kuroneko (Kaneto Shindo, 1968)

in its new restoration, Kuroneko (Kaneto Shindo, 1968) is one of those gems, a ‘60s Japanese horror film with a sharp aesthetic.
March 28, 2013

Sunny (Hyeong-Cheol Kang, 2011)

Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.
April 20, 2010

Haiti Chérie (Claudio Del Punta, 2007)

Haiti Chérie is a brutal film and stirs up in its spectator, as it should and as did its predecessors, a desire for change.
March 22, 2010

Funny Dirty Little War (Hector Olivera, 1983)

Although separated by more than a decade, Funny Dirty Little War and Macunaïma both try to provoke social change by using satire.