September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
June 29, 2010

20th Century Boys Trilogy (Yukihiko Tsutsumi, 2008-2009)

WHAT IT IS: Kenji, a failed musician turned convenience store clerk, notices about a terrible (but familiar) virus outbreak in Africa. When a popular doomsday cult surfaces branding the symbol Kenji conceived as a child with his friends, world events take on new meaning. Someone is using the Book of Prophesies Kenji wrote years ago as a blueprint for the […]
March 3, 2011

Terminator: Salvation (McG, 2009)

In Terminator: Salvation, John Connor is the leader of the resistance against Skynet, an artificial intelligence bent on wiping out humanity from existence.
March 26, 2010

There Will Be Blood (Paul Thomas Anderson, 2007)

There Will Be Blood methodically depicts the rise of its fictional character, from his modest entrepreneurial beginnings to rich oil mogul.
March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]