March 26, 2010

Perfume: The Story of a Murderer (Tom Tykwer, 2006)

WHAT IT IS: Jean-Baptiste Grenouille, born destitute, has the most gifted olfactory sense ever bestowed on a human being. He yearns to learn how to distill all smells, including a woman’s. HOW IT IS: Twyker’s Perfume is strange but mesmerizing, like a song you can’t forget. It slowly creeps in, half serial killer movie, half meditation on life, talent and […]
November 28, 2010

Love in a Puff (Ho-cheung Pang, 2010)

Love in a Puff (Pang Ho-cheung, 2010), from one of Hong Kong most promising directors, stands out as a great example of how to do romantic comedies right.
September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
April 20, 2010

Adrift In Tokyo (Satoshi Miki, 2007)

In a cluster of odd situations, Adrift in Tokyo makes us experience its city, from its empty residential streets to its Metropolis-like allure.