September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
February 26, 2013

Mitsuko Delivers (Yuya Ishii, 2011)

Mitsuko Delivers is a great beginning to the festival for me, starting with what could be the best acting performance of the year. Riisa Naka plays the eponymous Mitsuko, an energetic and pregnant young woman who travels back to her old stomping grounds and quickly befriends a cast of quirky local characters, forcing them to seek happiness, whether they’re open […]
March 26, 2010

Cloverfield (Matt Reeves, 2008)

Marketed as a ground-level monster movie, Cloverfield fails at its every opportunity: a high-concept stretched to the running time.
April 19, 2010

Mystic River (Clint Eastwood, 2003)

Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.
April 14, 2011

The Fighter (David O. Russell, 2010)

The Fighter isn’t a classic, plagued as it is by the tediousness of the biopic form. However, the sheer talent on display here makes it a worthy view.