December 30, 2011

Underwater Love (Shinji Imaoka, 2011)

Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
April 20, 2010

Dream (Kim Ki-duk, 2008)

Kim Ki-duk has shown he's an art-house auteur to contend with. Here, he adopts an esoteric premise, developing it as a meditation on love and passion.
November 24, 2010

Crows Zero 2 (Takashi Miike, 2009)

In Crows Zero 2, the Miike cool is in full display in the characters,modern day warriors haunting the streets of Tokyo in search of a good fight.
September 7, 2011

Detective Dee and the Mystery of the Phantom Flame (Tsui Hark, 2010)

Although Hark makes good use of his limited budget, Dectective Dee’s script feels convoluted, while the actors perform as if they’re in a campy picture.