March 26, 2010
Behind the Mask supposes that the horror stories that haunt Elm Street or Crystal Lake are elaborate hoaxes which elevate their authors to legendary status.
November 28, 2010
Accident devolves into a too simplistic whodunit, where the director tries to dazzle us with his technical mastery and film knowledge.
September 28, 2010
David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
November 28, 2010
Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
March 3, 2011
After Adrift in Tokyo (2007) Instant Swamp disappoints with its unfocused fable exploring the great divide between magical thought and rational thought.