March 26, 2010

Cloverfield (Matt Reeves, 2008)

Marketed as a ground-level monster movie, Cloverfield fails at its every opportunity: a high-concept stretched to the running time.
March 29, 2010

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]
February 16, 2011

The King’s Speech (Tom Hooper, 2010)

The King's Speech is the story of King George VI, his rise to the throne and his battle to control a lifelong speech impediment in the early days of radio.
April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
April 20, 2010

Haiti Chérie (Claudio Del Punta, 2007)

Haiti Chérie is a brutal film and stirs up in its spectator, as it should and as did its predecessors, a desire for change.