March 29, 2010

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]
March 23, 2010

No End in Sight (Charles Ferguson, 2007)

No End in Sight is important, infuriating and moving. It shows that documentaries hold an essential place in our society.
December 16, 2013

HK: Hentai Kamen (Yûichi Fukuda, 2013)

Apart from the fact that it’s one of the most entertaining films of 2013, the best thing about HK: Hentai Kamen is the joy of having to explain its premise to people, to witness their flabbergasted stare and assure them that “it’s really, really good”. Actually, it is really good because its parody comes from a place of love for […]
March 26, 2010

Cloverfield (Matt Reeves, 2008)

Marketed as a ground-level monster movie, Cloverfield fails at its every opportunity: a high-concept stretched to the running time.
March 26, 2010

Behind The Mask: The Rise of Leslie Vernon (Scott Glosserman, 2006)

Behind the Mask supposes that the horror stories that haunt Elm Street or Crystal Lake are elaborate hoaxes which elevate their authors to legendary status.