April 14, 2011

The Fighter (David O. Russell, 2010)

The Fighter isn’t a classic, plagued as it is by the tediousness of the biopic form. However, the sheer talent on display here makes it a worthy view.
March 29, 2010

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]
March 26, 2010

Behind The Mask: The Rise of Leslie Vernon (Scott Glosserman, 2006)

Behind the Mask supposes that the horror stories that haunt Elm Street or Crystal Lake are elaborate hoaxes which elevate their authors to legendary status.
April 19, 2010

Man On Fire (Tony Scott, 2004)

Man on Fire is part of Scott's flip-out phase, where the director experimented with ultra fast-cutting editing, and video clip-like light transitions.
April 19, 2010

Mystic River (Clint Eastwood, 2003)

Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.