March 26, 2010

Cloverfield (Matt Reeves, 2008)

Marketed as a ground-level monster movie, Cloverfield fails at its every opportunity: a high-concept stretched to the running time.
March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
May 19, 2010

Robin Hood (Ridley Scott, 2010)

As a painstakingly accurate retelling of its legend, Robin Hood had every opportunity to shine. But it falls short of expectations.
April 19, 2010

The Lookout (Scott Frank, 2007)

In The Lookout, after a violent car accident, a promising young man, disabled by a memory condition, is persuaded into robbing the local bank he works in.
March 29, 2010

Michael Clayton (Tony Gilroy, 2007)

Michael Clayton suffers from its intellectualism, just as Syriana (Stephen Gaghan, 2005) did, and never lets you connect to the stakes emotionally.