April 19, 2010

Once (John Carney, 2006)

WHAT IT IS: An aspiring English songwriter meets a young singer who sparks his desire and ambition. HOW IT IS: There has been a lot of press on how cheap this movie was to make and how much profit and praise it has garnered. It’s true that aesthetically, this movie looks amateurish, with no photography crafting, camera skill or direction. […]
March 29, 2010

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]
March 29, 2010

Michael Clayton (Tony Gilroy, 2007)

Michael Clayton suffers from its intellectualism, just as Syriana (Stephen Gaghan, 2005) did, and never lets you connect to the stakes emotionally.
April 19, 2010

Mystic River (Clint Eastwood, 2003)

Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.
April 20, 2010

Funny People (Judd Apatow, 2009)

Funny People is funny, touching and rings true, even through all its comic exaggeration. Apatow's direction is poised and appropriate to the subject matter.