March 4, 2011

The Clone Returns Home (Kanji Nakajima, 2008)

Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
November 24, 2010

My Fantasia 2010: Preamble

I look forward to Fantasia every year. I am one of those who check the festival’s website daily hoping to make my selection for this year’s festival.
March 26, 2013

Starry Starry Night (Tom Lin, 2011)

Starry Starry Night is a coming-of-age story of love and adventure. And, thanks to some interesting formal elements, it’s an enjoyable viewing.
December 30, 2011

Underwater Love (Shinji Imaoka, 2011)

Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.