November 24, 2010
I’ve heard good things about the Korean film, A Frozen Flower. Outside from the gorgeous production value and box-office success, it has also been heralded for its inclusion of homosexuality in a period setting. I was hoping I would get to see it at this year’s festival and was glad to see it on the schedule, even if for only […]
January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
November 26, 2010
in its new restoration, Kuroneko (Kaneto Shindo, 1968) is one of those gems, a ‘60s Japanese horror film with a sharp aesthetic.
November 26, 2010
A federal agent meets a spy, Ji-won, who had escaped from North Korea, they play a game of cat-and-mouse, keeping an eye on one another.
March 4, 2011
Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.