November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
November 28, 2010

Woochi (Dong-hoon Choi, 2009)

Woochi starts out as a magic-driven wuxia-like set in the Joseon era in Korea, but segues into an unsophisticated popular fare.
March 11, 2013

Warriors of the Rainbow: Seediq Bale (Te-sheng Wei, 2011)

Warriors of the Rainbow: Seediq Bale is an epic tale about the indigenous people of Taiwan before the encroachment of the Japanese.
March 3, 2011

Instant Swamp (Satoshi Miki, 2009)

After Adrift in Tokyo (2007) Instant Swamp disappoints with its unfocused fable exploring the great divide between magical thought and rational thought.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]