March 11, 2013
Adapted from Junji Ito's manga, Gyo tells the story of a modern-day Japan attacked by poisonous fish with mechanical legs, converting the population into organic masses excreting putrid gas, as they make their way inland.
January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
December 5, 2010
The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]
December 29, 2011
Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
April 20, 2010
Rough Cut constructs a dual history of characters, mirror images of one another, distorted through time, in a film within a film.