November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
November 28, 2010

Accident (Pou-soi Cheang, 2009)

Accident devolves into a too simplistic whodunit, where the director tries to dazzle us with his technical mastery and film knowledge.
January 30, 2015

Live (Noboru Iguchi, 2014)

What is most impressive with Live is its infectious energy.Every death, every plot point is sacrificed to the cinematic experience.
March 4, 2011

The Clone Returns Home (Kanji Nakajima, 2008)

Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
April 20, 2010

Love Exposure (Sion Sono, 2008)

Love Exposure is a beautiful film, a cherished secret I find myself unwilling to share but incapable of keeping. It's one of the best films I've ever seen.