January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
September 21, 2011

The Unjust (Seung-wan Ryoo, 2010)

The most interesting feature of The Unjust is its main actor and star, Jeong-min Hwang. I discovered him in Private Detective (2009) at Fantasia.
November 26, 2010

Kuroneko (Kaneto Shindo, 1968)

in its new restoration, Kuroneko (Kaneto Shindo, 1968) is one of those gems, a ‘60s Japanese horror film with a sharp aesthetic.
November 28, 2010

Accident (Pou-soi Cheang, 2009)

Accident devolves into a too simplistic whodunit, where the director tries to dazzle us with his technical mastery and film knowledge.
March 11, 2013

Punch (Han Lee, 2011)

Punch, a Korean drama, will more likely be remembered for the way it adds to the Korean conversation on immigration than for its other story elements.