April 20, 2010

Dream (Kim Ki-duk, 2008)

Kim Ki-duk has shown he's an art-house auteur to contend with. Here, he adopts an esoteric premise, developing it as a meditation on love and passion.
November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
December 29, 2011

Hello Ghost (Young-tak Kim, 2010)

Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
December 30, 2011

Underwater Love (Shinji Imaoka, 2011)

Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
March 28, 2013

Sunny (Hyeong-Cheol Kang, 2011)

Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.