January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
December 29, 2011
Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
November 26, 2010
in its new restoration, Kuroneko (Kaneto Shindo, 1968) is one of those gems, a ‘60s Japanese horror film with a sharp aesthetic.
December 30, 2011
Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
June 29, 2010
WHAT IT IS: Kenji, a failed musician turned convenience store clerk, notices about a terrible (but familiar) virus outbreak in Africa. When a popular doomsday cult surfaces branding the symbol Kenji conceived as a child with his friends, world events take on new meaning. Someone is using the Book of Prophesies Kenji wrote years ago as a blueprint for the […]