January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
October 17, 2013
Shield of Straw My first film at Fantasia in 2013 was Takashi Miike’s Shield of Straw, one of the director’s contribution to the festival. Miike is a known workhorse, directing sometimes three films per year, in a myriad of genres and styles. Yet, there seems to be a connecting thread through his films, which feels harder to ascertain for me […]
December 30, 2011
Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
April 20, 2010
Kim Ki-duk has shown he's an art-house auteur to contend with. Here, he adopts an esoteric premise, developing it as a meditation on love and passion.