March 28, 2013

Sunny (Hyeong-Cheol Kang, 2011)

Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.
November 26, 2010

Ip Man 2 (Wilson Yip, 2010)

Watching Ip Man 2, you're left with the feeling that it doesn't have a reason for existing, except to cash in on the success of the first Ip Man.
March 3, 2011

Instant Swamp (Satoshi Miki, 2009)

After Adrift in Tokyo (2007) Instant Swamp disappoints with its unfocused fable exploring the great divide between magical thought and rational thought.
November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
December 5, 2010

The Housemaid (Ki-young Kim, 1960; Sang-soo Im, 2010)

The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]