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ESSAYS
October 1, 2010
What is independent cinema? Critics and film scholars have wrestled with a definition of independent for most of cinema’s existence.
March 20, 2018
I haven’t been motivated enough by any of the recent movies to add to the discussion. Black Panther has changed that. Although not a revolutionary film, elements of it speak to me profoundly.How does Black Panther paint the African-American portrait? How does it interact with other films from Africa and the African diaspora?
September 28, 2010
Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.
March 22, 2010
Although separated by more than a decade, Funny Dirty Little War and Macunaïma both try to provoke social change by using satire.
March 22, 2010
What I found most interesting in The World Of Apu is how much the representation of India came so close to my vision of Haiti, my native country.
September 30, 2010
Central Station is one of the most popular and internationally acclaimed Brazilian films of the 1990s. It heralded a renaissance in Brazilian cinema.
June 3, 2011
“Most critics really don’t get it.”, as they say. I feel compelled to respond to the casual filmgoers who don't understand the critic’s perspective.
March 26, 2010
In I Don’t Want To Talk About It which precedes her sudden death in 1995, Maria Luisa Bemberg explores the same themes as in her most famous movie, Camila.
March 22, 2010
Knocks at my door explores the political instability that has plagued Latin-American countries and Third-world countries in general.
October 1, 2010
The transatlantic slave trade was one of the most disruptive acts in history, separating Africans from their backgrounds, traditions, and identities. This has had a significant impact on diaspora films.
March 22, 2010
In Les Carabiniers, Godard is in control, from playing with our scopophilic gaze in the makeshift rape scene or denying us narcissistic satisfaction.
March 22, 2010
Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
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