ESSAYS

October 1, 2010

Election (Alexander Payne, 1999)

There are some movies that change your perception of what is possible, what is allowed. Alexander Payne's Election was that for me.
March 22, 2010

Knocks at my Door (Alejandro Saderman, 1994)

Knocks at my door explores the political instability that has plagued Latin-American countries and Third-world countries in general.
March 22, 2010

Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)

It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
March 20, 2018

Black Panther: A Perspective

I haven’t been motivated enough by any of the recent movies to add to the discussion. Black Panther has changed that. Although not a revolutionary film, elements of it speak to me profoundly.How does Black Panther paint the African-American portrait? How does it interact with other films from Africa and the African diaspora?
October 1, 2010

Come Drink With Me (King Hu, 1966)

In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
March 26, 2010

Felicidades (Lucho Bender, 2000)

In Felicidades,several lives intersect on Christmas Eve in Buenos Aires as they all strive not to spend the holidays alone.
July 24, 2011

The Tree of Life, or how to fail at the impossible

The world is whole beyond human knowing. -Wendell Berry The Tree of Life, by renowned director Terrence Malick, is years in the making. Its history starts even before Malick’s previous film, The New World, was distributed in 2005. After generating a substantial amount of ink in the media, and hot on the heels of the film’s highly publicized win of […]
March 22, 2010

Macunaïma (Joaquim Pedro de Andrade, 1969)

One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]
March 26, 2010

I Don’t Want To Talk About It (Maria Luisa Bemberg, 1993)

In I Don’t Want To Talk About It which precedes her sudden death in 1995, Maria Luisa Bemberg explores the same themes as in her most famous movie, Camila.
March 22, 2010

Les Carabiniers (Jean-Luc Godard, 1963)

In Les Carabiniers, Godard is in control, from playing with our scopophilic gaze in the makeshift rape scene or denying us narcissistic satisfaction.
October 1, 2010

African cinema, Ousmane Sembene and the Western gaze

In its perspectives and traditions, African cinema draws the spectator into its narrative, nurturing a symbiotic relationship with life itself.
March 22, 2010

Funny Dirty Little War (Hector Olivera, 1983)

Although separated by more than a decade, Funny Dirty Little War and Macunaïma both try to provoke social change by using satire.