ESSAYS

February 27, 2018

On the dopeness of Black Panther

I’ve been excited about Black Panther from the moment I heard about it. Anything that involves Our Lady Lupita (you know her as Lupita Nyong’o) get me psyched. I adore Lupita—and the fact that she can actually spit some bars is icing on a fine cake.
October 1, 2010

What is independent cinema?

What is independent cinema? Critics and film scholars have wrestled with a definition of independent for most of cinema’s existence.
October 1, 2010

African cinema, Ousmane Sembene and the Western gaze

In its perspectives and traditions, African cinema draws the spectator into its narrative, nurturing a symbiotic relationship with life itself.
July 24, 2011

The Tree of Life, or how to fail at the impossible

The world is whole beyond human knowing. -Wendell Berry The Tree of Life, by renowned director Terrence Malick, is years in the making. Its history starts even before Malick’s previous film, The New World, was distributed in 2005. After generating a substantial amount of ink in the media, and hot on the heels of the film’s highly publicized win of […]
October 1, 2010

Election (Alexander Payne, 1999)

There are some movies that change your perception of what is possible, what is allowed. Alexander Payne's Election was that for me.
September 28, 2010

Cronenberg’s discourse through Videodrome and eXistenZ

This essay will explore the duality of Cronenberg’s works, as a statement on man’s curiosity and an open window to the unknown in Videodrome and eXistenZ.
June 3, 2011

In defence of criticism: The case of The Hangover Part II

“Most critics really don’t get it.”, as they say. I feel compelled to respond to the casual filmgoers who don't understand the critic’s perspective.
October 1, 2010

Come Drink With Me (King Hu, 1966)

In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
March 20, 2018

Black Panther: A Perspective

I haven’t been motivated enough by any of the recent movies to add to the discussion. Black Panther has changed that. Although not a revolutionary film, elements of it speak to me profoundly.How does Black Panther paint the African-American portrait? How does it interact with other films from Africa and the African diaspora?
March 26, 2010

The City and the Dogs (Francisco J. Lombardi, 1985)

he City and the Dogs, based on the popular novel of the same name by Mario Vargas Llosa, is an allegory of power in South America.
March 22, 2010

Les Carabiniers (Jean-Luc Godard, 1963)

In Les Carabiniers, Godard is in control, from playing with our scopophilic gaze in the makeshift rape scene or denying us narcissistic satisfaction.
September 28, 2010

In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?