ESSAYS
June 3, 2011
“Most critics really don’t get it.”, as they say. I feel compelled to respond to the casual filmgoers who don't understand the critic’s perspective.
October 1, 2010
The transatlantic slave trade was one of the most disruptive acts in history, separating Africans from their backgrounds, traditions, and identities. This has had a significant impact on diaspora films.
March 26, 2010
he City and the Dogs, based on the popular novel of the same name by Mario Vargas Llosa, is an allegory of power in South America.
March 26, 2010
In I Don’t Want To Talk About It which precedes her sudden death in 1995, Maria Luisa Bemberg explores the same themes as in her most famous movie, Camila.
March 22, 2010
Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
March 22, 2010
It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
February 27, 2018
I’ve been excited about Black Panther from the moment I heard about it. Anything that involves Our Lady Lupita (you know her as Lupita Nyong’o) get me psyched. I adore Lupita—and the fact that she can actually spit some bars is icing on a fine cake.
March 22, 2010
Knocks at my door explores the political instability that has plagued Latin-American countries and Third-world countries in general.
March 26, 2010
In Felicidades,several lives intersect on Christmas Eve in Buenos Aires as they all strive not to spend the holidays alone.
October 1, 2010
In its perspectives and traditions, African cinema draws the spectator into its narrative, nurturing a symbiotic relationship with life itself.
March 22, 2010
One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]
March 22, 2010
What I found most interesting in The World Of Apu is how much the representation of India came so close to my vision of Haiti, my native country.