ESSAYS

September 28, 2010

Cronenberg’s discourse through Videodrome and eXistenZ

This essay will explore the duality of Cronenberg’s works, as a statement on man’s curiosity and an open window to the unknown in Videodrome and eXistenZ.
October 1, 2010

What is independent cinema?

What is independent cinema? Critics and film scholars have wrestled with a definition of independent for most of cinema’s existence.
October 1, 2010

Election (Alexander Payne, 1999)

There are some movies that change your perception of what is possible, what is allowed. Alexander Payne's Election was that for me.
September 28, 2010

Flowers of Shanghaï (Hsiao-Hsien Hou, 1998)

Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.
March 20, 2018

Black Panther: A Perspective

I haven’t been motivated enough by any of the recent movies to add to the discussion. Black Panther has changed that. Although not a revolutionary film, elements of it speak to me profoundly.How does Black Panther paint the African-American portrait? How does it interact with other films from Africa and the African diaspora?
March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
September 28, 2010

In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?
March 22, 2010

Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)

It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
March 22, 2010

Macunaïma (Joaquim Pedro de Andrade, 1969)

One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]
March 22, 2010

The World Of Apu (Satyajit Ray, 1959)

What I found most interesting in The World Of Apu is how much the representation of India came so close to my vision of Haiti, my native country.
February 27, 2018

On the dopeness of Black Panther

I’ve been excited about Black Panther from the moment I heard about it. Anything that involves Our Lady Lupita (you know her as Lupita Nyong’o) get me psyched. I adore Lupita—and the fact that she can actually spit some bars is icing on a fine cake.
March 26, 2010

The City and the Dogs (Francisco J. Lombardi, 1985)

he City and the Dogs, based on the popular novel of the same name by Mario Vargas Llosa, is an allegory of power in South America.