ESSAYS

June 3, 2011

In defence of criticism: The case of The Hangover Part II

“Most critics really don’t get it.”, as they say. I feel compelled to respond to the casual filmgoers who don't understand the critic’s perspective.
September 30, 2010

Central Station and the Cinema Novo tradition

Central Station is one of the most popular and internationally acclaimed Brazilian films of the 1990s. It heralded a renaissance in Brazilian cinema.
March 22, 2010

Araya (Margot Benacerraf, 1959)

The most striking aspect of the movie Araya is its beautifully contrasted black-and-white photography. Benacerraf effectively conveys her love of Venezuela.
September 28, 2010

In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?
March 26, 2010

I Don’t Want To Talk About It (Maria Luisa Bemberg, 1993)

In I Don’t Want To Talk About It which precedes her sudden death in 1995, Maria Luisa Bemberg explores the same themes as in her most famous movie, Camila.
March 22, 2010

Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)

It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
September 28, 2010

Flowers of Shanghaï (Hsiao-Hsien Hou, 1998)

Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.
October 1, 2010

Come Drink With Me (King Hu, 1966)

In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
February 27, 2018

On the dopeness of Black Panther

I’ve been excited about Black Panther from the moment I heard about it. Anything that involves Our Lady Lupita (you know her as Lupita Nyong’o) get me psyched. I adore Lupita—and the fact that she can actually spit some bars is icing on a fine cake.
October 1, 2010

Election (Alexander Payne, 1999)

There are some movies that change your perception of what is possible, what is allowed. Alexander Payne's Election was that for me.
March 22, 2010

Macunaïma (Joaquim Pedro de Andrade, 1969)

One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]
October 1, 2010

The African diaspora: Colonialism and displacement

The transatlantic slave trade was one of the most disruptive acts in history, separating Africans from their backgrounds, traditions, and identities. This has had a significant impact on diaspora films.