ESSAYS

September 28, 2010

Cronenberg’s discourse through Videodrome and eXistenZ

This essay will explore the duality of Cronenberg’s works, as a statement on man’s curiosity and an open window to the unknown in Videodrome and eXistenZ.
March 22, 2010

Macunaïma (Joaquim Pedro de Andrade, 1969)

One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]
March 22, 2010

Funny Dirty Little War (Hector Olivera, 1983)

Although separated by more than a decade, Funny Dirty Little War and Macunaïma both try to provoke social change by using satire.
March 26, 2010

I Don’t Want To Talk About It (Maria Luisa Bemberg, 1993)

In I Don’t Want To Talk About It which precedes her sudden death in 1995, Maria Luisa Bemberg explores the same themes as in her most famous movie, Camila.
September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
October 1, 2010

African cinema, Ousmane Sembene and the Western gaze

In its perspectives and traditions, African cinema draws the spectator into its narrative, nurturing a symbiotic relationship with life itself.
October 1, 2010

Election (Alexander Payne, 1999)

There are some movies that change your perception of what is possible, what is allowed. Alexander Payne's Election was that for me.
October 1, 2010

The African diaspora: Colonialism and displacement

The transatlantic slave trade was one of the most disruptive acts in history, separating Africans from their backgrounds, traditions, and identities. This has had a significant impact on diaspora films.
March 22, 2010

Les Carabiniers (Jean-Luc Godard, 1963)

In Les Carabiniers, Godard is in control, from playing with our scopophilic gaze in the makeshift rape scene or denying us narcissistic satisfaction.
March 22, 2010

Knocks at my Door (Alejandro Saderman, 1994)

Knocks at my door explores the political instability that has plagued Latin-American countries and Third-world countries in general.
March 22, 2010

Araya (Margot Benacerraf, 1959)

The most striking aspect of the movie Araya is its beautifully contrasted black-and-white photography. Benacerraf effectively conveys her love of Venezuela.
March 26, 2010

Felicidades (Lucho Bender, 2000)

In Felicidades,several lives intersect on Christmas Eve in Buenos Aires as they all strive not to spend the holidays alone.