June 3, 2011

In defence of criticism: The case of The Hangover Part II

“Most critics really don’t get it.”, as they say. I feel compelled to respond to the casual filmgoers who don't understand the critic’s perspective.
May 25, 2011

Edge Of Darkness (Martin Campbell, 2010)

In Edge of Darkness, a veteran police detective uses his experience and skills to unearth the massive conspiracy and corruption that led to her death.
April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
April 14, 2011

The Fighter (David O. Russell, 2010)

The Fighter isn’t a classic, plagued as it is by the tediousness of the biopic form. However, the sheer talent on display here makes it a worthy view.
March 4, 2011

The Clone Returns Home (Kanji Nakajima, 2008)

Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.