January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
March 11, 2013

Warriors of the Rainbow: Seediq Bale (Te-sheng Wei, 2011)

Warriors of the Rainbow: Seediq Bale is an epic tale about the indigenous people of Taiwan before the encroachment of the Japanese.
November 24, 2010

A Frozen Flower (Ha Yu, 2008)

I’ve heard good things about the Korean film, A Frozen Flower. Outside from the gorgeous production value and box-office success, it has also been heralded for its inclusion of homosexuality in a period setting. I was hoping I would get to see it at this year’s festival and was glad to see it on the schedule, even if for only […]
November 6, 2013

Ip Man: The Final Fight (Herman Yau, 2013)

Ip Man: The Final Fight is centred around an ensemble cast of characters including Ip Man’s first students, so we get to see the evolution of Hong Kong in this period through their eyes.
January 30, 2015

Honeymoon (Leigh Janiak, 2014)

Honeymoon is like the edge of a blade, which could turn out quite dull or sharp as hell. Riding that edge is what makes the film so appealing.