January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
March 11, 2013

Gyo: Tokyo Fish Attack (Takayuki Hirao, 2012)

Adapted from Junji Ito's manga, Gyo tells the story of a modern-day Japan attacked by poisonous fish with mechanical legs, converting the population into organic masses excreting putrid gas, as they make their way inland.
November 28, 2010

Woochi (Dong-hoon Choi, 2009)

Woochi starts out as a magic-driven wuxia-like set in the Joseon era in Korea, but segues into an unsophisticated popular fare.
November 24, 2010

Crows Zero 2 (Takashi Miike, 2009)

In Crows Zero 2, the Miike cool is in full display in the characters,modern day warriors haunting the streets of Tokyo in search of a good fight.
December 30, 2011

Underwater Love (Shinji Imaoka, 2011)

Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.