December 29, 2011

Hello Ghost (Young-tak Kim, 2010)

Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
November 24, 2010

A Frozen Flower (Ha Yu, 2008)

I’ve heard good things about the Korean film, A Frozen Flower. Outside from the gorgeous production value and box-office success, it has also been heralded for its inclusion of homosexuality in a period setting. I was hoping I would get to see it at this year’s festival and was glad to see it on the schedule, even if for only […]
November 28, 2010

Love in a Puff (Ho-cheung Pang, 2010)

Love in a Puff (Pang Ho-cheung, 2010), from one of Hong Kong most promising directors, stands out as a great example of how to do romantic comedies right.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
December 10, 2010

Boys on the Run (Daisuke Muira, 2010)

In Boys on the Run, Tanishi, a toy representative, spends his evenings engaging in phone sex with strangers and masturbating to hard-core porn.