December 29, 2011
Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
April 20, 2010
Rough Cut constructs a dual history of characters, mirror images of one another, distorted through time, in a film within a film.
November 28, 2010
Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
December 30, 2011
Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]