January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
March 28, 2013

Sunny (Hyeong-Cheol Kang, 2011)

Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.
April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
November 24, 2010

My Fantasia 2010: Preamble

I look forward to Fantasia every year. I am one of those who check the festival’s website daily hoping to make my selection for this year’s festival.
March 26, 2010

Revolutionary Road (Sam Mendes, 2008)

In Revolutionary Road, DiCaprio and Winslet are well cast as the young couple on opposite journeys and Michael Shannon shines as their neighbour.