March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
November 28, 2010

Written By (Wai Ka-fai, 2009)

In Written By, after losing his whole family in an accident, a blind writer keeps his loved ones alive by writing them an afterlife.
April 19, 2010

The Lookout (Scott Frank, 2007)

In The Lookout, after a violent car accident, a promising young man, disabled by a memory condition, is persuaded into robbing the local bank he works in.
October 23, 2013

Key of Life (Kenji Uchida, 2012)

Key of Life’s premise is very close to Rough Cut’s (Hun Jang, 2008). It effectively mixes comedy and drama, resulting in a striking aesthetic blend.
September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.