March 22, 2010
Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
September 28, 2010
David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
October 1, 2010
In its perspectives and traditions, African cinema draws the spectator into its narrative, nurturing a symbiotic relationship with life itself.
December 29, 2011
Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
April 24, 2011
Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.