April 14, 2011

The Fighter (David O. Russell, 2010)

The Fighter isn’t a classic, plagued as it is by the tediousness of the biopic form. However, the sheer talent on display here makes it a worthy view.
November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
March 11, 2013

Fists of The White Lotus (Lieh Lo, 1980)

After Executioners from Shaolin, Fists of the White Lotus confronts our heroes with Pai-Mei’s brother hell-bent on exacting revenge for Pai-Mei’s death.
November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
January 30, 2015

Honeymoon (Leigh Janiak, 2014)

Honeymoon is like the edge of a blade, which could turn out quite dull or sharp as hell. Riding that edge is what makes the film so appealing.