January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
December 10, 2010

Boys on the Run (Daisuke Muira, 2010)

In Boys on the Run, Tanishi, a toy representative, spends his evenings engaging in phone sex with strangers and masturbating to hard-core porn.
October 1, 2010

Come Drink With Me (King Hu, 1966)

In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
March 3, 2011

Terminator: Salvation (McG, 2009)

In Terminator: Salvation, John Connor is the leader of the resistance against Skynet, an artificial intelligence bent on wiping out humanity from existence.