September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
March 29, 2010

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]
January 30, 2015

Live (Noboru Iguchi, 2014)

What is most impressive with Live is its infectious energy.Every death, every plot point is sacrificed to the cinematic experience.
March 26, 2010

The Savages (Tamara Jenkins, 2007)

In The Savages, Tamara Jenkins explores the importance of family and the effects of dementia in this hard depiction of growing old.
December 11, 2011

Love (William Eubanks, 2011)

In Love, astronaut Lee Miller is alone to ponder the fragility of his own existence, as he grapples with his waning sanity and dwindling air supply.