March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
March 26, 2010

A Silent Love (Federico Hidalgo, 2004)

What’s most interesting about A Silent Love is its comical approach to its subject. There is much in common with the tongue-in-cheek of Mexican dramas.
March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
April 20, 2010

Fur: An Imaginary Portrait Of Diane Arbus (Steven Shainberg, 2006)

Fur, from director Steven Shainberg, is a deeper exploration of sexually non-normative behaviour and longing for companionship.
September 28, 2010

In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?