In Terminator: Salvation, John Connor is the leader of the resistance against Skynet, an artificial intelligence bent on wiping out humanity from existence.
Although true at times, Little Children never compels as the story suffers from the same shortcoming as In the Bedroom: it is merely an actors’ showcase.
This essay will explore the duality of Cronenberg’s works, as a statement on man’s curiosity and an open window to the unknown in Videodrome and eXistenZ.