March 29, 2010

Sukiyaki Western Django (Takashi Miike, 2007)

Sukiyaki Western Django virtuously evokes in its narrative Sergio Leone westerns, samurai films and Japanese classic films like Yojimbo.
November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
October 23, 2013

Key of Life (Kenji Uchida, 2012)

Key of Life’s premise is very close to Rough Cut’s (Hun Jang, 2008). It effectively mixes comedy and drama, resulting in a striking aesthetic blend.
June 3, 2011

In defence of criticism: The case of The Hangover Part II

“Most critics really don’t get it.”, as they say. I feel compelled to respond to the casual filmgoers who don't understand the critic’s perspective.
November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]