February 23, 2011

Domino (Tony Scott, 2005)

Domino is stylistically intricate, using several techniques developed by Scott through his commercials and his latest films that enhance the narrative.
March 29, 2010

The Day The Earth Stood Still (Scott Derrickson, 2008)

In The Day The Earth Stood Still, an alien representative arrives on Earth, setting in motion a plan to save the planet Earth by destroying mankind.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
February 26, 2013

Mitsuko Delivers (Yuya Ishii, 2011)

Mitsuko Delivers is a great beginning to the festival for me, starting with what could be the best acting performance of the year. Riisa Naka plays the eponymous Mitsuko, an energetic and pregnant young woman who travels back to her old stomping grounds and quickly befriends a cast of quirky local characters, forcing them to seek happiness, whether they’re open […]
March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]