September 28, 2010

In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?
December 10, 2010

Boys on the Run (Daisuke Muira, 2010)

In Boys on the Run, Tanishi, a toy representative, spends his evenings engaging in phone sex with strangers and masturbating to hard-core porn.
December 10, 2010

Little Big Soldier (Shen Ding, 2010)

Little Big Soldier tells the story of an army deserter who captures the general of a warring faction, planning to deliver him for the reward.
April 20, 2010

Dream (Kim Ki-duk, 2008)

Kim Ki-duk has shown he's an art-house auteur to contend with. Here, he adopts an esoteric premise, developing it as a meditation on love and passion.
December 5, 2010

The Housemaid (Ki-young Kim, 1960; Sang-soo Im, 2010)

The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]
March 20, 2018

Black Panther: A Perspective

I haven’t been motivated enough by any of the recent movies to add to the discussion. Black Panther has changed that. Although not a revolutionary film, elements of it speak to me profoundly.How does Black Panther paint the African-American portrait? How does it interact with other films from Africa and the African diaspora?