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September 28, 2010
In the Mood for Love (Wong Kar-wai, 2000)
Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?
December 10, 2010
Little Big Soldier (Shen Ding, 2010)
Little Big Soldier tells the story of an army deserter who captures the general of a warring faction, planning to deliver him for the reward.
March 28, 2013
Sunny (Hyeong-Cheol Kang, 2011)
Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.
March 4, 2011
The Clone Returns Home (Kanji Nakajima, 2008)
Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
November 28, 2010
Symbol (Hitoshi Matsumoto, 2009)
Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
November 28, 2010
Overheard (Felix Chong and Alan Mak, 2009)
Overheard is a Hong Kong film from Alan Mak in the vein of Infernal Affairs, with magnificent performances from its lead actors.
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