September 28, 2010

In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?
July 29, 2011

My Fantasia 2011: Selling out

A few weeks before the 2011 Fantasia Film Festival, the programmers released a tentative list of noteworthy films to be screened at the festival. Before then, I’m a little underwhelmed about the festival this year, enthralled in activities out and about in the city. Montreal in the summer is something to experience; it’s frustrating really, choosing between all the happenings […]
October 1, 2010

Come Drink With Me (King Hu, 1966)

In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
April 20, 2010

Adrift In Tokyo (Satoshi Miki, 2007)

In a cluster of odd situations, Adrift in Tokyo makes us experience its city, from its empty residential streets to its Metropolis-like allure.
November 15, 2015

Spectre (Sam Mendes, 2015)

After the tragic death of M and to honour her memory, James Bond uncovers a conspiracy of influential individuals called Spectre, a secret society responsible for strategic terrorist attacks around the world. As Bond strives to thwart their plans, fundamental changes are affecting the secret services back home, leaving Bond to fend for himself.  
April 19, 2010

Man On Fire (Tony Scott, 2004)

Man on Fire is part of Scott's flip-out phase, where the director experimented with ultra fast-cutting editing, and video clip-like light transitions.