Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?
Seven Pounds is a great concept but executed with poor vision. The supporting cast is well chosen, with Dawson, Harrelson and Pepper being high points.
Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.