March 26, 2010

Cloverfield (Matt Reeves, 2008)

Marketed as a ground-level monster movie, Cloverfield fails at its every opportunity: a high-concept stretched to the running time.
March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
March 26, 2010

There Will Be Blood (Paul Thomas Anderson, 2007)

There Will Be Blood methodically depicts the rise of its fictional character, from his modest entrepreneurial beginnings to rich oil mogul.
April 20, 2010

Funny People (Judd Apatow, 2009)

Funny People is funny, touching and rings true, even through all its comic exaggeration. Apatow's direction is poised and appropriate to the subject matter.
March 29, 2010

Little Children (Todd Field, 2006)

Although true at times, Little Children never compels as the story suffers from the same shortcoming as In the Bedroom: it is merely an actors’ showcase.