April 19, 2010

Mystic River (Clint Eastwood, 2003)

Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.
April 20, 2010

Adrift In Tokyo (Satoshi Miki, 2007)

In a cluster of odd situations, Adrift in Tokyo makes us experience its city, from its empty residential streets to its Metropolis-like allure.
March 29, 2010

Michael Clayton (Tony Gilroy, 2007)

Michael Clayton suffers from its intellectualism, just as Syriana (Stephen Gaghan, 2005) did, and never lets you connect to the stakes emotionally.
March 26, 2010

The Curious Case of Benjamin Button (David Fincher, 2008)

At times , The Curious Case of Benjamin Button feels like more of a story for Zemeckis or Spielberg but Fincher succeeds in his effort, if only barely.
March 29, 2010

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]