April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
February 16, 2011

Blue Valentine (Derek Cianfrance, 2010)

Blue Valentine follows a married couple in turmoil, and recalls their relationship’s romantic beginnings as it threatens to unravel in the present.
April 20, 2010

Funny People (Judd Apatow, 2009)

Funny People is funny, touching and rings true, even through all its comic exaggeration. Apatow's direction is poised and appropriate to the subject matter.
March 29, 2010

Michael Clayton (Tony Gilroy, 2007)

Michael Clayton suffers from its intellectualism, just as Syriana (Stephen Gaghan, 2005) did, and never lets you connect to the stakes emotionally.