April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
November 15, 2015

Spectre (Sam Mendes, 2015)

After the tragic death of M and to honour her memory, James Bond uncovers a conspiracy of influential individuals called Spectre, a secret society responsible for strategic terrorist attacks around the world. As Bond strives to thwart their plans, fundamental changes are affecting the secret services back home, leaving Bond to fend for himself.  
March 3, 2011

Terminator: Salvation (McG, 2009)

In Terminator: Salvation, John Connor is the leader of the resistance against Skynet, an artificial intelligence bent on wiping out humanity from existence.
April 20, 2010

Sherrybaby (Laurie Collyer, 2006)

Held together almost entirely by the strength of Gyllenhall’s performance, Sherrybaby is one of the best independent movies of the decade.