April 19, 2010

Man On Fire (Tony Scott, 2004)

Man on Fire is part of Scott's flip-out phase, where the director experimented with ultra fast-cutting editing, and video clip-like light transitions.
April 19, 2010

Mystic River (Clint Eastwood, 2003)

Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.
March 26, 2010

The Curious Case of Benjamin Button (David Fincher, 2008)

At times , The Curious Case of Benjamin Button feels like more of a story for Zemeckis or Spielberg but Fincher succeeds in his effort, if only barely.
March 26, 2010

Dan in Real Life (Peter Hedges, 2007)

Dan in Real Life is predictable, and its characters rarely venture into unknown territory. It makes for a passable rental, but not much else.
March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]