February 23, 2011

Domino (Tony Scott, 2005)

Domino is stylistically intricate, using several techniques developed by Scott through his commercials and his latest films that enhance the narrative.
March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
March 26, 2010

Perfume: The Story of a Murderer (Tom Tykwer, 2006)

WHAT IT IS: Jean-Baptiste Grenouille, born destitute, has the most gifted olfactory sense ever bestowed on a human being. He yearns to learn how to distill all smells, including a woman’s. HOW IT IS: Twyker’s Perfume is strange but mesmerizing, like a song you can’t forget. It slowly creeps in, half serial killer movie, half meditation on life, talent and […]
March 26, 2010

Slumdog Millionaire (Danny Boyle, 2008)

In Slumdog Millionaire, a disenfranchised wants to prove he did not cheat after participating in India’s “Who Wants to be a Millionaire?”
March 29, 2010

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]