March 26, 2010

Cloverfield (Matt Reeves, 2008)

Marketed as a ground-level monster movie, Cloverfield fails at its every opportunity: a high-concept stretched to the running time.
March 26, 2010

Perfume: The Story of a Murderer (Tom Tykwer, 2006)

WHAT IT IS: Jean-Baptiste Grenouille, born destitute, has the most gifted olfactory sense ever bestowed on a human being. He yearns to learn how to distill all smells, including a woman’s. HOW IT IS: Twyker’s Perfume is strange but mesmerizing, like a song you can’t forget. It slowly creeps in, half serial killer movie, half meditation on life, talent and […]
March 29, 2010

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]
April 20, 2010

Fur: An Imaginary Portrait Of Diane Arbus (Steven Shainberg, 2006)

Fur, from director Steven Shainberg, is a deeper exploration of sexually non-normative behaviour and longing for companionship.
April 2, 2014

12 Years a Slave (Steve McQueen, 2013)

The highlight of 12 Years a Slave is Steve McQueen’s direction. The arresting scenes of the film are the moments of sheer beauty.