April 20, 2010

Rough Cut (Hun Jang, 2008)

Rough Cut constructs a dual history of characters, mirror images of one another, distorted through time, in a film within a film.
March 26, 2010

Felicidades (Lucho Bender, 2000)

In Felicidades,several lives intersect on Christmas Eve in Buenos Aires as they all strive not to spend the holidays alone.
April 20, 2010

Adrift In Tokyo (Satoshi Miki, 2007)

In a cluster of odd situations, Adrift in Tokyo makes us experience its city, from its empty residential streets to its Metropolis-like allure.
March 22, 2010

Macunaïma (Joaquim Pedro de Andrade, 1969)

One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]
April 20, 2010

Dream (Kim Ki-duk, 2008)

Kim Ki-duk has shown he's an art-house auteur to contend with. Here, he adopts an esoteric premise, developing it as a meditation on love and passion.