November 6, 2013

Ip Man: The Final Fight (Herman Yau, 2013)

Ip Man: The Final Fight is centred around an ensemble cast of characters including Ip Man’s first students, so we get to see the evolution of Hong Kong in this period through their eyes.
March 11, 2013

Fists of The White Lotus (Lieh Lo, 1980)

After Executioners from Shaolin, Fists of the White Lotus confronts our heroes with Pai-Mei’s brother hell-bent on exacting revenge for Pai-Mei’s death.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
June 9, 2013

Graceland (Ron Morales, 2012)

Graceland is a dark and dirty moral tale of desperation and revenge, denouncing corruption. Yet, it isn’t sophisticated enough to deal with the subject.
October 23, 2013

Key of Life (Kenji Uchida, 2012)

Key of Life’s premise is very close to Rough Cut’s (Hun Jang, 2008). It effectively mixes comedy and drama, resulting in a striking aesthetic blend.