December 30, 2011

Underwater Love (Shinji Imaoka, 2011)

Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
March 4, 2011

The Clone Returns Home (Kanji Nakajima, 2008)

Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
December 16, 2013

The Lady Assassin (Quang Dung Nguyen, 2013)

The Lady Assassin, a martial arts blockbuster, is my first Vietnamese film. A light Sunday night screening at this year’s Fantasia Festival, it was attended by a notable number of people from Montreal’s Vietnamese community. Billed as a Vietnamese wu xia, in the film, a princess sold in marriage is taken in by a team of high-flying, ass—kicking, thieving assassins […]
November 24, 2010

Crows Zero 2 (Takashi Miike, 2009)

In Crows Zero 2, the Miike cool is in full display in the characters,modern day warriors haunting the streets of Tokyo in search of a good fight.
November 24, 2010

The Naked Kitchen (Ji-yeong Hong, 2009)

The Naked Kitchen is disappointing, even with the presence of Ji-hun Ju (Kim from last year’s Antique) and its appealing premise. It does everything wrong.