December 16, 2013
The Lady Assassin, a martial arts blockbuster, is my first Vietnamese film. A light Sunday night screening at this year’s Fantasia Festival, it was attended by a notable number of people from Montreal’s Vietnamese community. Billed as a Vietnamese wu xia, in the film, a princess sold in marriage is taken in by a team of high-flying, ass—kicking, thieving assassins […]
March 28, 2013
Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.
March 11, 2013
Adapted from Junji Ito's manga, Gyo tells the story of a modern-day Japan attacked by poisonous fish with mechanical legs, converting the population into organic masses excreting putrid gas, as they make their way inland.
January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
November 28, 2010
Accident devolves into a too simplistic whodunit, where the director tries to dazzle us with his technical mastery and film knowledge.