January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
February 26, 2013

Mitsuko Delivers (Yuya Ishii, 2011)

Mitsuko Delivers is a great beginning to the festival for me, starting with what could be the best acting performance of the year. Riisa Naka plays the eponymous Mitsuko, an energetic and pregnant young woman who travels back to her old stomping grounds and quickly befriends a cast of quirky local characters, forcing them to seek happiness, whether they’re open […]
March 4, 2011

The Clone Returns Home (Kanji Nakajima, 2008)

Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
November 24, 2010

A Frozen Flower (Ha Yu, 2008)

I’ve heard good things about the Korean film, A Frozen Flower. Outside from the gorgeous production value and box-office success, it has also been heralded for its inclusion of homosexuality in a period setting. I was hoping I would get to see it at this year’s festival and was glad to see it on the schedule, even if for only […]
March 3, 2011

Instant Swamp (Satoshi Miki, 2009)

After Adrift in Tokyo (2007) Instant Swamp disappoints with its unfocused fable exploring the great divide between magical thought and rational thought.