January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
March 28, 2013

Sunny (Hyeong-Cheol Kang, 2011)

Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.
March 3, 2011

Instant Swamp (Satoshi Miki, 2009)

After Adrift in Tokyo (2007) Instant Swamp disappoints with its unfocused fable exploring the great divide between magical thought and rational thought.
September 21, 2011

The Unjust (Seung-wan Ryoo, 2010)

The most interesting feature of The Unjust is its main actor and star, Jeong-min Hwang. I discovered him in Private Detective (2009) at Fantasia.
April 20, 2010

Rough Cut (Hun Jang, 2008)

Rough Cut constructs a dual history of characters, mirror images of one another, distorted through time, in a film within a film.