March 4, 2011

The Clone Returns Home (Kanji Nakajima, 2008)

Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
November 28, 2010

Accident (Pou-soi Cheang, 2009)

Accident devolves into a too simplistic whodunit, where the director tries to dazzle us with his technical mastery and film knowledge.
September 7, 2011

Detective Dee and the Mystery of the Phantom Flame (Tsui Hark, 2010)

Although Hark makes good use of his limited budget, Dectective Dee’s script feels convoluted, while the actors perform as if they’re in a campy picture.
November 24, 2010

A Frozen Flower (Ha Yu, 2008)

I’ve heard good things about the Korean film, A Frozen Flower. Outside from the gorgeous production value and box-office success, it has also been heralded for its inclusion of homosexuality in a period setting. I was hoping I would get to see it at this year’s festival and was glad to see it on the schedule, even if for only […]
November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.