November 26, 2010
The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
March 11, 2013
After Executioners from Shaolin, Fists of the White Lotus confronts our heroes with Pai-Mei’s brother hell-bent on exacting revenge for Pai-Mei’s death.
January 2, 2012
Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
December 30, 2011
Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
November 26, 2010
Brass Knuckle Boys is a Japanese comedy about an old Japanese punk-rock music band from the ’70s and ’80s looking to extend their 15 minutes of fame.