December 20, 2013

Fantasia 2013 bits III

Reviews bits of the Fantasia Film Festival.
January 3, 2014
I'll Give It My All... Tomorrow

Fantasia 2013 bits IV

Reviews bits of the Fantasia Film Festival.
October 22, 2013
Louis Koo in Drug War

Drug War (Johnny To, 2012)

Drug War's writing is sharp and gripping, surprising us at every turn, setting up great action scenes, brilliantly directed by Johnny To.
December 20, 2013
Rurouni Kenshin

Fantasia 2013 bits I

Reviews bits of the Fantasia Film Festival.
December 20, 2013
Sweetwater

Fantasia 2013 bits II

Reviews bits of the Fantasia Film Festival.
December 16, 2013
All the lady assassins

The Lady Assassin (Quang Dung Nguyen, 2013)

The Lady Assassin, a martial arts blockbuster, is my first Vietnamese film. A light Sunday night screening at this year’s Fantasia Festival, it was attended by a notable number of people from Montreal’s Vietnamese community. Billed as a Vietnamese wu xia, in the film, a princess sold in marriage is taken in by a team of high-flying, ass—kicking, thieving assassins […]
October 17, 2013
My Fantasia 2013

My Fantasia 2013: Preamble

Fantasia 2013 started with a change of venue (the Concordia Hall theater is gone for now, under construction), and we were welcomed back to the Imperial theater on Bleury Street. It’s an old new home since the festival started out showing films at the Imperial way back when. On March 16th at 1PM, the tickets for the festival go on […]
October 23, 2013
Key of Life

Key of Life (Kenji Uchida, 2012)

Key of Life’s premise is very close to Rough Cut’s (Hun Jang, 2008). It effectively mixes comedy and drama, resulting in a striking aesthetic blend.
October 17, 2013
Shield of Straw

Shield of Straw (Takashi Miike, 2013) | Lesson of the Evil (Takashi Miike, 2012)

Shield of Straw My first film at Fantasia in 2013 was Takashi Miike’s Shield of Straw, one of the director’s contribution to the festival. Miike is a known workhorse, directing sometimes three films per year, in a myriad of genres and styles. Yet, there seems to be a connecting thread through his films, which feels harder to ascertain for me […]