November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
November 28, 2010

Accident (Pou-soi Cheang, 2009)

Accident devolves into a too simplistic whodunit, where the director tries to dazzle us with his technical mastery and film knowledge.
November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
December 10, 2010

Boys on the Run (Daisuke Muira, 2010)

In Boys on the Run, Tanishi, a toy representative, spends his evenings engaging in phone sex with strangers and masturbating to hard-core porn.
November 26, 2010

Ip Man 2 (Wilson Yip, 2010)

Watching Ip Man 2, you're left with the feeling that it doesn't have a reason for existing, except to cash in on the success of the first Ip Man.