Little Big Soldier tells the story of an army deserter who captures the general of a warring faction, planning to deliver him for the reward.

The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.

Woochi starts out as a magic-driven wuxia-like set in the Joseon era in Korea, but segues into an unsophisticated popular fare.

In Written By, after losing his whole family in an accident, a blind writer keeps his loved ones alive by writing them an afterlife.

Overheard is a Hong Kong film from Alan Mak in the vein of Infernal Affairs, with magnificent performances from its lead actors.

Love in a Puff (Pang Ho-cheung, 2010), from one of Hong Kong most promising directors, stands out as a great example of how to do romantic comedies right.

Legend goes that The Devils was considered so extreme in its time that it was banned in North America and never distributed on home video here.

Accident devolves into a too simplistic whodunit, where the director tries to dazzle us with his technical mastery and film knowledge.