November 28, 2010
Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
December 29, 2011
Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
November 28, 2010
Love in a Puff (Pang Ho-cheung, 2010), from one of Hong Kong most promising directors, stands out as a great example of how to do romantic comedies right.
December 5, 2010
The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]
January 30, 2015
Honeymoon is like the edge of a blade, which could turn out quite dull or sharp as hell. Riding that edge is what makes the film so appealing.