Kinoreal
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October 1, 2010
Come Drink With Me (King Hu, 1966)
In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
September 28, 2010
Flowers of Shanghaï (Hsiao-Hsien Hou, 1998)
Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.
October 1, 2010
African cinema, Ousmane Sembene and the Western gaze
In its perspectives and traditions, African cinema draws the spectator into its narrative, nurturing a symbiotic relationship with life itself.
March 22, 2010
Araya (Margot Benacerraf, 1959)
The most striking aspect of the movie Araya is its beautifully contrasted black-and-white photography. Benacerraf effectively conveys her love of Venezuela.
September 30, 2010
Central Station and the Cinema Novo tradition
Central Station is one of the most popular and internationally acclaimed Brazilian films of the 1990s. It heralded a renaissance in Brazilian cinema.
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