March 22, 2010

Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)

It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
October 1, 2010

The African diaspora: Colonialism and displacement

The transatlantic slave trade was one of the most disruptive acts in history, separating Africans from their backgrounds, traditions, and identities. This has had a significant impact on diaspora films.
March 22, 2010

The World Of Apu (Satyajit Ray, 1959)

What I found most interesting in The World Of Apu is how much the representation of India came so close to my vision of Haiti, my native country.
September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
September 30, 2010

Central Station and the Cinema Novo tradition

Central Station is one of the most popular and internationally acclaimed Brazilian films of the 1990s. It heralded a renaissance in Brazilian cinema.