September 28, 2010
David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
March 22, 2010
It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
March 22, 2010
Knocks at my door explores the political instability that has plagued Latin-American countries and Third-world countries in general.
March 22, 2010
One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]
September 30, 2010
Central Station is one of the most popular and internationally acclaimed Brazilian films of the 1990s. It heralded a renaissance in Brazilian cinema.