David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
The transatlantic slave trade was one of the most disruptive acts in history, separating Africans from their backgrounds, traditions, and identities. This has had a significant impact on diaspora films.
Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?