March 22, 2010
A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
January 26, 2011
In The Man from Nowhere, after a neighbour's daughter is abducted by drug dealers, Tae-shik will stop at nothing to save her.
November 6, 2013
Ip Man: The Final Fight is centred around an ensemble cast of characters including Ip Man’s first students, so we get to see the evolution of Hong Kong in this period through their eyes.
November 28, 2010
Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
March 22, 2010
One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]