April 19, 2010

Mystic River (Clint Eastwood, 2003)

Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.
June 29, 2010

20th Century Boys Trilogy (Yukihiko Tsutsumi, 2008-2009)

WHAT IT IS: Kenji, a failed musician turned convenience store clerk, notices about a terrible (but familiar) virus outbreak in Africa. When a popular doomsday cult surfaces branding the symbol Kenji conceived as a child with his friends, world events take on new meaning. Someone is using the Book of Prophesies Kenji wrote years ago as a blueprint for the […]
March 26, 2010

There Will Be Blood (Paul Thomas Anderson, 2007)

There Will Be Blood methodically depicts the rise of its fictional character, from his modest entrepreneurial beginnings to rich oil mogul.
September 28, 2010

Cronenberg’s discourse through Videodrome and eXistenZ

This essay will explore the duality of Cronenberg’s works, as a statement on man’s curiosity and an open window to the unknown in Videodrome and eXistenZ.
March 4, 2011

The Clone Returns Home (Kanji Nakajima, 2008)

Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.