March 22, 2010

Macunaïma (Joaquim Pedro de Andrade, 1969)

One of the most interesting aspects of South-American cinema is its post-colonial perspective. Having lived myself and being raised in a Third-world country, I can identify and relate to the plight of South-American characters, living up to their (displaced) roots while fighting their imposed colonial heritage. I’ve seen firsthand the social stratification that the colonial rule instilled into the indigenous […]
April 19, 2010

Man On Fire (Tony Scott, 2004)

Man on Fire is part of Scott's flip-out phase, where the director experimented with ultra fast-cutting editing, and video clip-like light transitions.
July 29, 2011

My Fantasia 2011: Selling out

A few weeks before the 2011 Fantasia Film Festival, the programmers released a tentative list of noteworthy films to be screened at the festival. Before then, I’m a little underwhelmed about the festival this year, enthralled in activities out and about in the city. Montreal in the summer is something to experience; it’s frustrating really, choosing between all the happenings […]
December 11, 2011

Love (William Eubanks, 2011)

In Love, astronaut Lee Miller is alone to ponder the fragility of his own existence, as he grapples with his waning sanity and dwindling air supply.
March 29, 2010

Gone, Baby, Gone (Ben Affleck, 2007)

WHAT IT IS: Boston: A private investigator is enlisted to find a little girl who’s been abducted in his old neighborhood. HOW IT IS: In his directorial debut, Ben Affleck borrows from many of the great living directors, from Eastwood to Van Sant. Most notable is the latter’s influence in the cinema vérité shots. A Bostonian himself, Affleck’s neighborhood seems […]