March 26, 2010

Perfume: The Story of a Murderer (Tom Tykwer, 2006)

WHAT IT IS: Jean-Baptiste Grenouille, born destitute, has the most gifted olfactory sense ever bestowed on a human being. He yearns to learn how to distill all smells, including a woman’s. HOW IT IS: Twyker’s Perfume is strange but mesmerizing, like a song you can’t forget. It slowly creeps in, half serial killer movie, half meditation on life, talent and […]
November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
October 1, 2010

African cinema, Ousmane Sembene and the Western gaze

In its perspectives and traditions, African cinema draws the spectator into its narrative, nurturing a symbiotic relationship with life itself.
March 4, 2011

The Clone Returns Home (Kanji Nakajima, 2008)

Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
December 10, 2010

Boys on the Run (Daisuke Muira, 2010)

In Boys on the Run, Tanishi, a toy representative, spends his evenings engaging in phone sex with strangers and masturbating to hard-core porn.