Love in a Puff (Pang Ho-cheung, 2010), from one of Hong Kong most promising directors, stands out as a great example of how to do romantic comedies right.
Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?