April 20, 2010

Haiti Chérie (Claudio Del Punta, 2007)

Haiti Chérie is a brutal film and stirs up in its spectator, as it should and as did its predecessors, a desire for change.
February 27, 2018

On the dopeness of Black Panther

I’ve been excited about Black Panther from the moment I heard about it. Anything that involves Our Lady Lupita (you know her as Lupita Nyong’o) get me psyched. I adore Lupita—and the fact that she can actually spit some bars is icing on a fine cake.
September 28, 2010

Cronenberg’s discourse through Videodrome and eXistenZ

This essay will explore the duality of Cronenberg’s works, as a statement on man’s curiosity and an open window to the unknown in Videodrome and eXistenZ.
January 30, 2015

Honeymoon (Leigh Janiak, 2014)

Honeymoon is like the edge of a blade, which could turn out quite dull or sharp as hell. Riding that edge is what makes the film so appealing.
November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]