September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
November 26, 2010

Ip Man 2 (Wilson Yip, 2010)

Watching Ip Man 2, you're left with the feeling that it doesn't have a reason for existing, except to cash in on the success of the first Ip Man.
April 20, 2010

Rough Cut (Hun Jang, 2008)

Rough Cut constructs a dual history of characters, mirror images of one another, distorted through time, in a film within a film.
November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
March 22, 2010

Les Carabiniers (Jean-Luc Godard, 1963)

In Les Carabiniers, Godard is in control, from playing with our scopophilic gaze in the makeshift rape scene or denying us narcissistic satisfaction.