April 20, 2010

Funny People (Judd Apatow, 2009)

Funny People is funny, touching and rings true, even through all its comic exaggeration. Apatow's direction is poised and appropriate to the subject matter.
March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
April 20, 2010

Rough Cut (Hun Jang, 2008)

Rough Cut constructs a dual history of characters, mirror images of one another, distorted through time, in a film within a film.
November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
August 12, 2011

Petty Romance (Jeong-Hoon-Il Kim, 2010)

With its raunchy premise, Petty Romance begins with strong comedic elements. The most interesting part of the movie is its odd first half.