January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
November 24, 2010

A Frozen Flower (Ha Yu, 2008)

I’ve heard good things about the Korean film, A Frozen Flower. Outside from the gorgeous production value and box-office success, it has also been heralded for its inclusion of homosexuality in a period setting. I was hoping I would get to see it at this year’s festival and was glad to see it on the schedule, even if for only […]
November 28, 2010

Love in a Puff (Ho-cheung Pang, 2010)

Love in a Puff (Pang Ho-cheung, 2010), from one of Hong Kong most promising directors, stands out as a great example of how to do romantic comedies right.
March 26, 2010

The City and the Dogs (Francisco J. Lombardi, 1985)

he City and the Dogs, based on the popular novel of the same name by Mario Vargas Llosa, is an allegory of power in South America.
June 3, 2011

In defence of criticism: The case of The Hangover Part II

“Most critics really don’t get it.”, as they say. I feel compelled to respond to the casual filmgoers who don't understand the critic’s perspective.