September 29, 2011

Ip Man: The Legend is Born (Herman Yau, 2010)

Unimpressed by Ip Man: The Legend is Born trailer, the film didn’t make it into my preliminary list of ten films for the Fantasia Festival therefore, mere hours before the showing, cutting it close to showtime, I quickly decide on a secondary list of ten films for the festival, bringing my total up to twenty films so far. Once I […]
March 26, 2010

Behind The Mask: The Rise of Leslie Vernon (Scott Glosserman, 2006)

Behind the Mask supposes that the horror stories that haunt Elm Street or Crystal Lake are elaborate hoaxes which elevate their authors to legendary status.
September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
May 5, 2015

Seven Pounds (Gabriele Muccino, 2008)

Seven Pounds is a great concept but executed with poor vision. The supporting cast is well chosen, with Dawson, Harrelson and Pepper being high points.