November 28, 2010
Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
October 1, 2010
In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
April 24, 2011
Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
March 26, 2010
What’s most interesting about A Silent Love is its comical approach to its subject. There is much in common with the tongue-in-cheek of Mexican dramas.
