January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
May 5, 2015

Seven Pounds (Gabriele Muccino, 2008)

Seven Pounds is a great concept but executed with poor vision. The supporting cast is well chosen, with Dawson, Harrelson and Pepper being high points.
April 19, 2010

Once (John Carney, 2006)

WHAT IT IS: An aspiring English songwriter meets a young singer who sparks his desire and ambition. HOW IT IS: There has been a lot of press on how cheap this movie was to make and how much profit and praise it has garnered. It’s true that aesthetically, this movie looks amateurish, with no photography crafting, camera skill or direction. […]
January 30, 2015

Live (Noboru Iguchi, 2014)

What is most impressive with Live is its infectious energy.Every death, every plot point is sacrificed to the cinematic experience.
September 28, 2010

In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does it compare to Wong Kar-Wai’s other work?