March 22, 2010
A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
March 23, 2010
No End in Sight is important, infuriating and moving. It shows that documentaries hold an essential place in our society.
March 4, 2011
Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.
March 22, 2010
Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
October 17, 2013
Shield of Straw My first film at Fantasia in 2013 was Takashi Miike’s Shield of Straw, one of the director’s contribution to the festival. Miike is a known workhorse, directing sometimes three films per year, in a myriad of genres and styles. Yet, there seems to be a connecting thread through his films, which feels harder to ascertain for me […]