Kinoreal
Essays
Reviews
Fantasia
Red Brand Studios
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April 24, 2011
Black Swan (Darren Aronofsky, 2010)
Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
November 28, 2010
Symbol (Hitoshi Matsumoto, 2009)
Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
February 16, 2011
Blue Valentine (Derek Cianfrance, 2010)
Blue Valentine follows a married couple in turmoil, and recalls their relationship’s romantic beginnings as it threatens to unravel in the present.
November 26, 2010
Ip Man 2 (Wilson Yip, 2010)
Watching Ip Man 2, you're left with the feeling that it doesn't have a reason for existing, except to cash in on the success of the first Ip Man.
December 30, 2011
Underwater Love (Shinji Imaoka, 2011)
Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.
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