In The Lookout, after a violent car accident, a promising young man, disabled by a memory condition, is persuaded into robbing the local bank he works in.
David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
In I Don’t Want To Talk About It which precedes her sudden death in 1995, Maria Luisa Bemberg explores the same themes as in her most famous movie, Camila.