November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
March 26, 2010

A Silent Love (Federico Hidalgo, 2004)

What’s most interesting about A Silent Love is its comical approach to its subject. There is much in common with the tongue-in-cheek of Mexican dramas.
September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
November 26, 2010

Sell Out! (Joon Han Yeo, 2008)

The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
November 26, 2010

Ip Man 2 (Wilson Yip, 2010)

Watching Ip Man 2, you're left with the feeling that it doesn't have a reason for existing, except to cash in on the success of the first Ip Man.