June 9, 2013

Graceland (Ron Morales, 2012)

Graceland is a dark and dirty moral tale of desperation and revenge, denouncing corruption. Yet, it isn’t sophisticated enough to deal with the subject.
September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
March 28, 2013

Sunny (Hyeong-Cheol Kang, 2011)

Sunny is at once a coming-of-age film, with detective elements, feminine-pop aesthetics, fleshed-out characters and intricate narrative elements.
March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
March 26, 2010

Cloverfield (Matt Reeves, 2008)

Marketed as a ground-level monster movie, Cloverfield fails at its every opportunity: a high-concept stretched to the running time.