March 22, 2010

The Journey (Fernando E. Solanas, 1992)

Argentina has one of the most impressive cinematography in the world. Within that cinema, Fernando E. Solanas is a director of seminal importance. In his essay, Towards a Third cinema, Solanas and his co-writer, Octavio Getino, galvanize the overall revolutionary ideas of the time into the concept of a decolonization cinema, denouncing the weak, liberal arts that have, up until […]
April 20, 2010

Ip Man (Wilson Yip, 2008)

Ip Man, a martial arts master, must go against his own code of conduct to protect his fellow countrymen when war breaks out.
April 14, 2011

The Fighter (David O. Russell, 2010)

The Fighter isn’t a classic, plagued as it is by the tediousness of the biopic form. However, the sheer talent on display here makes it a worthy view.
March 29, 2010

Sukiyaki Western Django (Takashi Miike, 2007)

Sukiyaki Western Django virtuously evokes in its narrative Sergio Leone westerns, samurai films and Japanese classic films like Yojimbo.
December 30, 2011

Underwater Love (Shinji Imaoka, 2011)

Underwater Love serves instead as an odd artistic work on sexuality, the film medium, and the way we’ve been conditioned to respond to it.