March 22, 2010
It was a pleasant surprise to see Alice doesn’t live here anymore. Is it a feminist film? Can a male filmmaker look at a woman through a female perspective?
April 19, 2010
Man on Fire is part of Scott's flip-out phase, where the director experimented with ultra fast-cutting editing, and video clip-like light transitions.
May 20, 2010
In Street Kings, police officer Tom Ludlow never hesitates to venture outside the law in the pursuit of Los Angeles’s most reviled criminals.
November 26, 2010
The only showing of the Singapore film, Sell Out, is, oddly enough, sold out. It’s my first Singaporean film, a musical sporting a peculiar premise, so I’m excited about it. A young Singaporean engineer, working for a multinational conglomerate, designs a terrific new product (a tofu processor) but discovers that his invention (and any kind of innovation) isn’t welcomed at […]
March 4, 2011
Although the premise seems ripe for the movie becoming a welcome addition to the minimalist cerebral sci-fi genre, The Clone Returns Home disappoints.