December 29, 2011

Hello Ghost (Young-tak Kim, 2010)

Hello Ghost is hands-down the best film I’ve seen in 2011, utilizing appealing comedic techniques, and crafting new visual gags and convoluted situations.
March 26, 2010

Behind The Mask: The Rise of Leslie Vernon (Scott Glosserman, 2006)

Behind the Mask supposes that the horror stories that haunt Elm Street or Crystal Lake are elaborate hoaxes which elevate their authors to legendary status.
November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
November 26, 2010

Brass Knuckle Boys (Kankuro Kudo, 2008)

Brass Knuckle Boys is a Japanese comedy about an old Japanese punk-rock music band from the ’70s and ’80s looking to extend their 15 minutes of fame.
December 5, 2010

The Housemaid (Ki-young Kim, 1960; Sang-soo Im, 2010)

The Housemaid (Ki-young Kim, 1960) is one of the oldest films known to have survived South Korea’s evolution from Third-World country to G20 powerhouse. The print shown at Fantasia this year was restored by Martin Scorsese’s World film Restoration Foundation in tandem with the South Korean government and follows The Housemaid (Sang-soo Im, 2010) remake’s stellar performance this year at […]