September 28, 2010

Coming Home: Melodrama and social change

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating real change.
March 29, 2010

Michael Clayton (Tony Gilroy, 2007)

Michael Clayton suffers from its intellectualism, just as Syriana (Stephen Gaghan, 2005) did, and never lets you connect to the stakes emotionally.
September 29, 2011

Ip Man: The Legend is Born (Herman Yau, 2010)

Unimpressed by Ip Man: The Legend is Born trailer, the film didn’t make it into my preliminary list of ten films for the Fantasia Festival therefore, mere hours before the showing, cutting it close to showtime, I quickly decide on a secondary list of ten films for the festival, bringing my total up to twenty films so far. Once I […]
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
April 20, 2010

X-Men Origins: Wolverine (Gavin Hood, 2009)

As action films go, Wolverine isn’t so bad, establishing a diverse group of supporting characters for the franchise to play around with.