April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
March 22, 2010

City of God (Fernando Meirelles, 2002)

A reviewer compared City of God to Goodfellas (Martin Scorsese, 1990) and many parallels could be made between the two. As they both fall into the genre of gangster films, they depict violence in a raw, uninhibited way, in a realist fashion. City of God, with its documentary-style aesthetic—camera shakes, voice-over narration, etc., uses that realism to emphasize its story’s […]
March 29, 2010

The Day The Earth Stood Still (Scott Derrickson, 2008)

In The Day The Earth Stood Still, an alien representative arrives on Earth, setting in motion a plan to save the planet Earth by destroying mankind.
April 19, 2010

Man On Fire (Tony Scott, 2004)

Man on Fire is part of Scott's flip-out phase, where the director experimented with ultra fast-cutting editing, and video clip-like light transitions.
March 3, 2011

Terminator: Salvation (McG, 2009)

In Terminator: Salvation, John Connor is the leader of the resistance against Skynet, an artificial intelligence bent on wiping out humanity from existence.