April 24, 2011

Black Swan (Darren Aronofsky, 2010)

Black Swan is marked by Nathalie Portman's grandiose performance, but Aronofsky’s regresive aesthetic hinders the movie’s themes and narrative.
May 5, 2015

Seven Pounds (Gabriele Muccino, 2008)

Seven Pounds is a great concept but executed with poor vision. The supporting cast is well chosen, with Dawson, Harrelson and Pepper being high points.
April 19, 2010

Mystic River (Clint Eastwood, 2003)

Mystic River works because it’s never bogged down by any flashy camera movement. light theatrics or editing experimentation.
December 16, 2013

HK: Hentai Kamen (Yûichi Fukuda, 2013)

Apart from the fact that it’s one of the most entertaining films of 2013, the best thing about HK: Hentai Kamen is the joy of having to explain its premise to people, to witness their flabbergasted stare and assure them that “it’s really, really good”. Actually, it is really good because its parody comes from a place of love for […]
April 19, 2010

Man On Fire (Tony Scott, 2004)

Man on Fire is part of Scott's flip-out phase, where the director experimented with ultra fast-cutting editing, and video clip-like light transitions.